Vidyapati: The Cuckoo of Mithila
In the lush landscapes of Mithila, amidst the mango groves and ancient ponds, echoes the name of one poet who became the very voice of the region. Vidyapati (c. 1352–1448), revered as 'Maithil Kavi Kokil' (the poet cuckoo of Mithila), was not just a poet but a cultural phenomenon whose influence transcended borders and centuries.
Early Life and Royal Patronage
Born in the village of Bisfi in Madhubani district, Vidyapati was a scholar of Sanskrit but chose the language of the people, Maithili, for his most emotive works. He served as a courtier and priest under the Oiniwar dynasty, particularly King Sivasimha, who was not just a patron but a close friend. This royal support allowed his genius to flourish, producing works in Sanskrit, Avahattha, and Maithili.
The Poet of Love: Padavali
Vidyapati is most celebrated for his 'Padavali', a collection of thousands of love songs describing the divine play of Radha and Krishna. Unlike the metaphysical abstractions often found in devotional poetry, Vidyapati's verses were deeply human, sensual, and emotional. He captured the myriad moods of love—longing, jealousy, union, and separation—with such exquisite musicality that his songs became the folk music of Mithila and later inspired the Vaishnava movement in Bengal, influencing even Rabindranath Tagore.
The Legend of Ugna Mahadev
Perhaps the most beloved legend associated with Vidyapati is his bond with Lord Shiva. It is said that Shiva, charmed by the poet's devotion, descended to earth to serve him as a humble servant named 'Ugna'. For years, Ugna served Vidyapati faithfully. The secret was revealed only when, during a journey through a parched land, Ugna miraculously produced water from his matted locks to save a thirsty Vidyapati. Recognizing his Lord, Vidyapati was overwhelmed. Shiva vanished, leaving behind a legacy of devotion that is still celebrated at the Ugna Mahadev temple in Bhawanipur.
A Lasting Legacy
Vidyapati's influence is foundational. He proved that the vernacular Maithili was capable of the highest literary expression. Today, his songs are sung at weddings, festivals, and prayer gatherings across Mithila. He remains the heartbeat of Maithili identity, a bridge between the human and the divine, the scholar and the commoner.